Wednesday, July 21, 2010

Adventures in California with River Runs Scarlet

On Monday morning, I flew back into Pittsburgh after 10 days in Southern California.  I arrived the previous Friday, July 9th, to stay with and photograph the band River Runs Scarlet as they recorded their 5 song EP at Omen Room Studios in Garden Grove, CA, in Orange County, outside of Los Angeles.  This is the story of our trip, but first, the cast:

Your narrator and River Runs Scarlet's official photographer:  elena dee (photo by McDade)



The drummer: Brian McDade

The bassist: DoRn aka Brad


The lead guitarist: Floyd Karma, Jr. aka John

The lead singer: Zosia West

The rhythm guitarist and screamer: Aaron Pepe

And the producer: Bill Urban


Now you've been introduced to the main players of the trip, let me say the 10 days felt like a month.  This isn't a bad thing and it feels a little weird to not be around the RRS crew 24/7 now that we're all back in Pittsburgh.  But this story isn't about Pittsburgh, it's about our journey to California to record an album (and do a few extra things as well).

Day 1: Friday, July 09, 2010

The band flew into LA a couple hours before I did, and then my plane was delayed due to lightning, so I got in 2 hours later than expected.  Planes scare me a bit, but I calmed myself by taking pictures out the window.  Very therapeutic.


Lovely, isn't it?  Finally I landed and was picked up by McDade and Dorn in the Cadillac Escalade they were renting for the trip.  Big car.  Nice nice.  You'll see pictures of that later.  We went straight to Omen Room Studios, where the band was in preproduction.




John and Aaron were drinking in celebration of their arrival and because they didn't have to record for a couple days, so along with photos of the actual preproduction, I captured a few frames of what I like to call "River Runs Scarlet, brought to you by Jack Daniels."

Day 2: Saturday, July 10, 2010

On the flight in, McDade's kick drum rim was broken, which he was understandably upset about.  John and Dorn made light of the situation by backseat driving with said rim on our way to IHOP for breakfast.  At IHOP we were luckily seated away from people because boys are ridiculous and play Frisbee with the specials menu.


After breakfast, we went to the studio to continue preproduction.  There was a lot of setting up and sitting around, but we made the best of it.  The below images are all taken in the live room, where a lot of the recording (mostly McDade's drums and Zoe's vocals) is done.  There's also a dead room, where a second vocal microphone (for Aaron's screams) was set up.  The bass and guitars were directly recorded through wires into the computer, as far as I could tell.


Finally, preproduction was finished and I took a picture of the drums all mic-ed up with my beloved fisheye lens. Sweet!!

Day 3: Sunday, July 11, 2010

McDade recorded drums all day and while John and Dorn were allowed to be there, Aaron and Zoe and I ended up spending the day checking out Huntington Beach (the area we were staying in) and watching TV in our hotel rooms.  Sunday meant True Blood, which Zoe and I were excited about.  We'd informed the guys earlier that if we WERE at the studio that day, we were going back to the hotel just to watch our show.  Once everyone else got back, I went with John and Aaron to inspect the Lingerie Bar a couple blocks down from our hotel.  Sadly, it was last call when we arrived, so we walked around a bit and randomly discovered a purple and seafoam green shopping cart, which we had to play with.


Day 4: Monday, July 12, 2010

Monday was guitars, and still not much hanging around the studio.  Before that we hung around the hotel a bit and then went to a tobacco shop (which in Cali doesn't mean just tobacco, which is weird to me) so the smokers could buy cigarettes in bulk.  They were very excited about this.




Because there wasn't much to do in the studio, I ended up taking pictures using the Escalade's headlights and, later, my slave flash.  The slave flash will trigger if any other flash goes off in it's visible range, so there was a lot of fun playing with that, as well as slow shutter speeds and having my "model" trigger the flash manually.  It kept us occupied and I got some pretty cool portraits.



Day 5: Tuesday, July 13, 2010

We started the day going to Backline to rent equipment for the show on Thursday at the famous Whiskey A-Go-Go.  RRS was psyched to play there, and I was psyched to shoot.  I mean, it's the Fuskin' Woot!!  Errr...Whiskey!  All sorts of big names have played there, taking pictures there would be about as awesome as shooting at the CBGB or Fillmore East.  But before we could have a show, we needed to rent equipment, because transporting guitar cabs across the country would have been kinda tough.


After that, Floyd Karma went back to Omen Room to record and the rest of us, still in Whiskey mode, went downtown to Los Angeles to scout out the area.  Zoe and McDade have both lived around there before - he played the Whiskey once with his old band and she lived in one of those fancy Hollywood neighborhoods, so they gave us the grand tour.


Dorn felt very "Entourage" with the group of us getting out of our Escalade and walking around downtown L.A., but eventually we went back to the studio to hang out.  Here's everyone.


While upstairs in the studio's lounge, Dorn and McDade discovered my fisheye lens, which of course had to be played with.  That's where Dorn's picture from the introduction comes from.  He's good at being ridiculous, so when we went back to the hotel he inspired "jumping on the bed" pictures of a surprising amount of band members.  Everyone landed safely and went to sleep.


Day 6: Wednesday, July 14, 2010

Wednesday began vocals, which was exciting.  Guitars weren't entirely finished yet, but they had the tracks completely down for two songs and wanted to get the vox for them and finish guitars on Thursday before the show at the Whiskey.


I also took an adorable picture of John and his mom, Debi, who is awesome, as well as some shots of palm trees near the beach while we were picking up Zoe's mom, sister, and best friend.  How cool is it that they're all so supportive that they'll fly across the country for a big show?  Actually...I guess I count for that too.


Day 7: Thursday, July 15, 2010

FUSKIN' WOOT!!!  WHISKEY A GO GO!!!  But before that, Backline for equipment.


The second picture, by the way, the stage Zoe is sitting on, is used in a Korn music video.  Don't ask me which, because I have no idea, but she was really excited about it.  Anyway, we piled equipment to the U-Haul and then people into the Escalade, and went on our way to Los Angeles, where we met more people, including Zoe's lovely actress friend Marya.  I want to do headshots for her so badly, she has the biggest eyes!


And then!!  THE SHOW!


River Runs Scarlet rocked it.  They were amazing and did not disappoint those who came to see them.


After RRS, the headliner, Evolove came on.  They're currently finalists to be the new freecreditscore.com band, and their commercial totally rocks, so I recommend checking them out.  However, a warning: their songs WILL get stuck in your head.



Zoe and I met up with Lucy after the show, I gave her my card and they talked about the music business.  We three blondes took a pic together because we're all so awesome and adorable.  I, of course, look ridiculous with my phone hanging off my dress, but oh well.  Zoe and Lucy save the image.




Day 8: Friday, July 16, 2010

On Friday, I woke up early (and made McDade do the same) which was kind of miserable because we'd all been out partying after the show the night before, but exciting because I was going to assist for photographer Alan Weissman.  Alan is a master of lighting, so I thrilled to get a chance to work with him.  He had a headshot shoot that day - headshots are his specialty.  Not really my thing, but I learned SO much about the nuances of lighting from him.  He's very particular about everything and I did a lot of adjusting lights just so and angling the reflector into the eyes, which took me a bit to get a hang of.   I learned quickly though and even got to teach him a couple things later on in the day about LightRoom and Photoshop, which was pretty awesome.  After shooting, we talked a bit and he ordered pizza for me, him, and his other assistants.  Domino's, we learned, is having a contest where you photograph the pizza you ordered after delivery.  So, we did.  Alan was interested in my fisheye, so I let him try it out and took some images myself as well.  This is my favorite, what do you think?


The entourage picked me up after getting stuck in traffic and I went window shopping on Melrose in L.A. with Zoe's friend Brittany.  We had a grand ol' time and tasted the delights of Pinkberry, which you will hear more about soon.

Day 9: Saturday, July 17, 2010

Vox, cont.  Hung out at the studio, where I finished reading Fear and Loathing in Las Vegas, and took some pictures of everyone working, goofing off, and listening to the recordings so far (and dancing to them).


Once night fell, I got to do what I had been wanting to since we experimented with light in the dark on Monday.  Remember those?  Yeahhh....River Runs Scarlet + elena dee photography = badass promo pic.  Zoe is on top of the Escalade, silhouetted by a light in the parking lot.  The guys (L to R: Dorn, McDade, Aaron, Floyd Karma) are silhouetted by the car's headlights.  It may not be the most original image, yeah, but I freaking love it.


Day 10: Sunday, July 18, 2010

Our last day in California!  It felt like we'd been there for a month to everyone but Dorn, who said it only felt like three days.  Seeing as it was our last chance to do so, John and I hit the hot tub.


We also got In and Out Burger, which without fail makes me think of A Clockwork Orange, and is delicious, and Pinkberry, which is frozen yogurt and OMG AMAZING.  McDade and Dorn and I had driven around for half an hour the night before trying to find the one in Huntington Beach.


Finally, everything was recorded.  It was very exciting when Bill crossed off the last of the Xs on the RRS progress chart and I took a picture of everyone with said chart, as well as some of them just chilling in front of Omen Room Studios for the last time.


We did some fun little interviews as well, continuations of an earlier video of Bill being interviewed as McDade and McDade being interviewed as Bill.  Aaron was John, John was Dorn and Dorn was Aaron.  Zoe and I were each other.  It was ridiculous and so SO much fun.  But eventually it was time to leave for the airport and we piled us and all of our stuff into the Escalade and drove off.  Bill called us 20 minutes later to say he missed us already.  Aaawww.  Zoe and McDade had to take the car back to the rental place, so Dorn, Aaron and I chilled at the airport waiting for them.  John napped.


Then they got on their plane and I got on mine and the next day it felt kind of strange, because I got so used to having the River Runs Scarlet entourage around 24/7.  I also had gotten used to their music, so "Sinister Love" occasionally will run through my head and I get annoyed that the EP still needs edited and mastered.  Did it ever get named...?

Wednesday, June 30, 2010

Studiooooo!!!

Today, Kevin and I were very productive and finished cleaning out the furnace room to convert into a home photography studio.  It's something that's been being worked on for a couple weeks now and most of the junk was gone.  There were still shelves and ceiling tiles and a desk though, so we took those out and made....A STUDIO!!  I am so excited about this it's kind of ridiculous.


This is it.  My studio.  Photographed with the fisheye, on a tripod, using a remote shutter release while I'm holding my second camera body.  It's not all that impressive (ok, it kind of is), but having a room dedicated to shooting is really exciting for me.  Now I don't have to rearrange my kitchen every time I want to set up my backdrop.  It's a PERMANENT SETUP.  How cool is that?  I have my backdrop on it's stands, my Alien Bee with softbox and unbrella, my speedlight and accessories, my white backdrop (not in the shot) and some reflectors.  And of course my cameras.  Hopefully I'll buy a bigger backdrop or two soon, because these ones are no where near wide enough.  I'm totally psyched about the whole thing, because it makes me feel way more professional.

I think I'll get a sign.  "elena dee photography"  Yeah.  We're open for business.

Monday, June 28, 2010

Bikini Bowling Promos

My family, as I've probably mentioned before, owns a bowling alley - Sheffield Lanes, in Aliquippa, PA.  It's summer, and business is slow, so Dad, being the, uh...interesting fellow that he is, decided what we need to make bowling in the summer attractive is bikinis.  And thus was born Bikini Bowling.  Our first one was 2 weeks ago and we haven't had too many people show up, sadly.  It's been 21+, 11pm on Friday nights, and the problem is that we've had a couple girls who are 19 or 20 interested in coming by but that whole 21+ thing...yeah, a problem.  So we're going to be doing it (still on Fridays) starting at 10pm and 18+ instead of 21+, so hopefully that will help.  Another idea to generate interest was promo pictures.

Today was my sister Christiana's high school graduation party.  You'll recognize her from pretty much everything I do.  She's my default model, and she's good.  Near the end of the grad party today, I set up my Alien Bee B800 (using the umbrella) and first my friend Nora posed as the test subject to get ideas for angles and compositions.




The last pic is Nora's brother Landon, who is hysterical and got in on the test shooting, as did some of the other party-goers such as Mike, who's in my summer bowling league.  I dig.  Anyway, I wanted Nora to be my Bikini Bowling model, but she said her body isn't currently bikini ready, which is ridiculous because she's totally gorgeous and, being Cuban, perpetually tan.  So Christy, Liv, and Kels were my models, which was cool, because it's always interesting shooting multiple people.  Olivia has done a little bit of modeling (plus I did her senior pictures), and Kelsey was recently a vampire for me.


I really liked the shot of Nora from above where she was throwing the beach ball up at me, but I wanted to get the bowling alley name in the promo images, so I ended up shooting from floor level.  Plus this kept there from being huge amounts of empty lane space, but still being able to see the pins.  I kept my light in the same spot (maybe 7 feet away from them, in height as well as floor distance and pointed downward, bouncing out of the reflective silver umbrella) but it was definitely more dramatic looking when I changed my vantage point so that the light was to my side instead of behind me.




This was one of my favorite shots, but of course I screwed it up and didn't get the Sheffield Lanes text in the original image.  I messed with combining other images with it in Photoshop for, oh, probably 45 minutes before getting the second version, which I'm still not entirely happy with, but is acceptable.  Lots of trying to get angles straight and not have heads from the other shot in the lanes.  It's going to get played with more later, I'm sure, though I may have to go shoot the alley without any models to have a blank canvas in case of any other alterations I might want to do.


We only shot for maybe 20 minutes because Kels had to go to her friend's house down the street to watch TrueBlood (a completely acceptable reason to leave, in my opinion) but Christy and Liv and I took a couple more images after.  I have 2 frames of my sister by herself, and she's super cute and happy-looking.  Awwww!


This shot of the two girls is definitely one of my favorites.  They manage to sip their drinks (cranberry juice for Christy and OJ for Liv) and still have great facial expressions.  Work those eyes!  As Tyra Banks would say, it's totally fierce.  I included both the LightRoom version and Photoshop edits to show what all I did in post.  Not much was done in LR, just some white balancing, exposure and a bit of my beloved clarity.  The detail work is in the Photoshop, especially seeing as the only beach ball we had was one a local "band" called guruguru and has their name all over it.  (I say "band" because they are "more art than music" - performance art, basically.)  I did some skin smoothing and toning, opened up some shadows, brought out their eyes and played with black and white versions as well as different saturations.  Definitely dig the color version, though the b&w is pretty cool too.  I'm happy with the way this last image especially turned out.  This is going on Facebook (and possibly Myspace, but who goes on Myspace nowadays?) and hopefully we'll have some Bikini Bowlers this Friday!!

Wednesday, June 2, 2010

Awww, hearts!

C. Howell Photography

I googled "elena dee" today to see what came up (apparently www.elenadee.com belongs to an opera singer.  I have www.elena-dee.com) and it suggested "elena dee photography" which was awesome of it.  Thank you, Google!  So I was looking about, and on the bottom of the second page, there was something from C. Howell Photography.  Chelsea and I went to the Art Institute together for awhile, and apparently she checked out my stuff and linked me on her facebook page (the link is above, but you can check out her stuff from there too).

Chelsea says:

"Hey guys, I was looking over my friend Elena from Pittsburgh's (we went to AiP together) photography and I think you should check her out. Out of all the crap (sorry, but I have to be honest) I see every day that people are trying to pass off as good work, her work is truly beautiful and it's good to see other young talent exists out there.  So, give a look at Elena-dee Photography."


I feel so loved!!

Baby Portraits of Cody

If I want to have a successful portrait studio (which I do) then I have to learn to do mainstream stuff.  As much as I love my bands, and as amazing at it would be to spend my life photographing them (and getting paid for it, how awesome would THAT be?!), I gotta be able to pay the bills.  I've done the senior portrait thing, and, amazingly enough, it's fun.  The seniors I photograph are cool, and their parents obviously are too, because a lot of my work is nontraditional and they have faith in me, with my strangely colored hair and portfolio featuring zombies and musicians, to capture beautiful images of their children.  These are nearly grown-up children though, high school seniors.  They have opinions of their own and can say "hey Mom (or Dad), this chick does cool stuff, let's go to her" and Mom might listen.  Small children, infants, they're a little different.  The parents pick the photographer, and I know some parents go for traditional.

I'm not traditional, but I like kids, and would have no qualms about getting into photographing them.  Kids are hysterical.  My friend Rosa, who I've known since 8th grade (nearly 10 years now!!  Wow, I JUST realized that and feel old), has a son, Cody, who will be 7 months old in a couple days time and is freakin' adorable.  Today we hung out and I took pictures of him to practice.  Some of these are edited, some aren't.  If it has a crappy background, it obviously isn't.  I really need to splurge on a nice one instead of that paper thing I've been using for the last 2 or 3 years.


 


This kid makes the best faces, he's awesome.  I had my softbox going, which is like 5 times the size of Cody, so he was kind of in awe of it.  The backdrop was set up in kitchen as usual, but the floor is hard, so we had my down comforter under it in case he fell over.  Which he did, so having the cushioning was good foresight.  Rosa brought some of his toys, like his lion puppet, so we played with those for a bit, then I went to see what I had.  Sadly, I could not find my giant purple bunny, but it's purple and would have looked weird with his green outfit anyway.  I did find a leopard-print octopus though, which Cody LOVED.  The shot below with his feet up (sooo cute!) is when Rosa was dangling it above him, as you can see in another shot.  Then we sat him back up, took a few more pictures, and went to the Chinese buffet for lunch.